ADL Fringe 2020 review: ‘Suspension of Disbelief’

Back at Ayers House (but in the intimate Library room) the audience is transported to an old shop full of antiquities and curios. Local magicians Jamie Ramzan (one half of ‘Suspension of Disbelief’) plays the older, wiser curator of the shop while Baenedict Thievenathan is the other half of the duo – and is Jamie’s understudy. Indeed, after a welcoming introduction and commencement of the storyline, Jamie asks the audience to suspend their disbelief for the next passage of time and take in the curious magical objects of the shop (in addition to the magical and mystifying skills of the show performers!) The story and the strong magical talents of each performer make this show shine. Despite the ‘master’ and ‘understudy’ roles I felt each performer was equally matched in skill and storytelling efforts. Great effort was taken to draw the audience in, so that rather than it being the audience vs stage the line was blurred between audience and stage…

Without giving too much away, over the course of the show the greater storyline is referenced regularly so the audience doesn’t have a chance to get lost among all the magic that unfolds in front of them (and trust me when I say there are some strong pieces of magic in this show!) There’s so much to enjoy within ‘Suspension of Disbelief’ especially when the show covers many styles of magic. During the course of the show I heard gasps of surprise, saw shaking of heads and there was even a moment of tension where it seemed like time slowed down, with the whole room completely silent.

At the end of the show, when the story was done, I felt like all the audience members had been on a journey with each other and the magical hosts. It was a nice feeling which held it’s own warmth

VERDICT: A charming show in an intimate parlour setting, that will have you talking and thinking well after the show has ended. Suspend your own disbelief and get swept away in the story and magic of this immensely enjoyable show. I can only ‘Suspension of disbelief’ return for another chapter next year.

*Disclaimer: I attended this show as a Fringe passholder

Tickets / more info:https://adelaidefringe.com.au/fringetix/suspension-of-disbelief-af2020

ADL Fringe 2020 review: “Improbable Deductions” performed by Auslusion

Local Adelaide magic duo Auslusion (Scott Stunz and Jace Wonders) return to the fringe with their detective based magic show “Improbable Deductions”, housed within the beautiful ballroom of Ayers House. I’d seen Auslusion previously a couple of times, however I’d never seen a show quite like this one – where the show was an equal split between a murder mystery and a magic show (all with Auslusion’s signature 1920’s flair of course!) This show had an extra appeal to me as I grew up watching many murder mysteries and classic detectives on TV. I could see that Stunz and Wonders enjoyed playing their roles as magical detectives, questioning members of the audience and selected ‘suspects’ then using their magical powers to help solve the murder mystery. Post all their great detective work, Auslusion went straight into the more ‘traditional’ magical portion of the evening, which was very enjoyable (though that could describe  the entire show). Along the way there were plenty of laughs, some fun pieces of mentalism and some engaging audience participation segments.

Another great aspect of this show is that it’s suitable for families. As soon as murder mysteries are involved, I felt the theme could potentially be a little less exciting for children (or even a bit scary for some) however on the night I attended, there were children in the audience helping to examine ‘evidence’ and busily trying to have their parent chosen to help out on stage. I found ‘Improbable Deductions’ an easy show to watch and enjoy.

VERDICT: A fun magic show with a detective theme, that is easy for the audience to enjoy. It’s clear that Auslsion enjoy their detective roles, and this adds to the enjoyment of the show for their audience. The magical pieces are enjoyable and clever, with audience volunteers looked after. A great show with wide appeal.

*Disclaimer: I attended this show as a Fringe passholder.

Tickets / more info: https://adelaidefringe.com.au/fringetix/improbable-deductions-af2020

ADL Fringe 2020 Review: Maho Magic Bar

Maho Magic Bar is billed as a special experience, and that it is. A neon light covered exterior held a room with 4 bars, and a central area decorated with cherry blossoms. With around 6 guests to each bar table, the hour was spent with 4 different Japanese magicians performing feats of magical miracles and card magic right before our eyes taking turns at each table. The magic was smooth, precise and very impressive. A pleasing array of Japanese drinks and spirits were available for purchase, along with a few cute souvenirs.

If that wasn’t enough, a particular highlight was the ‘special orders’ menu where for a mere $10 you could purchase a special experience (that was often solely just for the buyer, though the rest of the bar patrons could watch on). Needless to say, the names of some of these ‘special orders’ were quite coy and on one occasion I received way more than I bargained for! The level of audience participation through the whole event is fairly high – as each magician wants to involve you in their magic – plus the ‘special orders’ mean that extra attention is lavished on the buyer. The host for the evening is fantastic and has quite a few surprising skills himself. He definitely added to the fun and excitement of the evening.

Elements of the ‘special orders’ and much of the magic performed had a Japanese flair, which I very much enjoyed as I have been to Japan and miss the country and its quirks and icons.

VERDICT: Maho Magic Bar was everything I wanted it to be and so much more. The ticket price means this is a premium experience, but whether you’ve been to Japan or not you’re in store for a fascinating and amazing hour of magic. I was genuinely disappointed that I couldn’t return for another serve of fine Japanese magic, alongside some madcap surprise adventures.

Tickets / more info: https://adelaidefringe.com.au/fringetix/maho-magic-bar-af2020

 

Tay Around Town – the return!

Hello readers, yes, I have returned for another year of witnessing amazing entertainment and writing about it. There has been quite the gap between blog posts due to some personal items arising before Christmas, then post Christmas I bought a house with my partner!! Which was exciting and stressful in equal measures!!!

So, I thank you for your patience during this time of me shuffling all my possessions to the other side of town (and misplacing many things in the process!) No need to fear, I’m back attending events and shows and there will be lots more for you to read and enjoy very soon. Speaking of reviews, I have just spent another joyful weekend in Adelaide for the Fringe festival and look forward to sharing my adventures with you. Pre Adelaide I also caught Alice Cooper’s latest concert offering “Ol’ Black Eyes is Back’ so look out for that review in due course too…but for now, grab a cuppa and read on to discover what Adelaide Fringe 2020 has in store for you.

Review: The Gipsy Club Cabaret

 Within the bohemian inner city suburb of Northcote, beyond unmarked doors and up a set of stairs you’ll find venue 24 Moons. A mysterious and fantastic night spot / performance space that transforms once a month into The Gipsy Club Cabaret.

Upon entry, I was warmly greeted by some friendly door staff who mentioned a great place for me to sit. I appreciated this, as it was my first time visiting this venue (and show). This is definitely the type of place that rewards those who arrive early!

 Welcoming the audience and setting the musical tone for the evening, band The Royal High Jinx opened with an upbeat set of songs which had the audience clapping and cheering along. Their happy beats were infectious, with audience members swaying and moving to the beat (which carried throughout the evening). MC Michael Wheatley looked much like a cross between a bohemian and Gomez Addams, and had plenty of snappy lines to entertain the audience with between acts (as well as a song, which was a nice touch). The Gipsy Club Cabaret is billed as a showcase of Eastern European style music, dance, sideshow and circus and it delivered in the most entertaining and surprising ways! Many of the dance acts which were set to tribal and Middle Eastern music truly took me away to another place. I honestly forgot that it was a Friday night in suburban Melbourne while I was there. There is naturally much to write about when a smorgasboard of entertainment happens right before your eyes, however I’ll try to pick some highlights (as hard as that may be!)

The Quizzical Mr Jeff was a highlight of the evening with his sublime manipulation, juggling and surprise productions. Fast paced and fantastic, when The Quizzical Mr Jeff is onstage you do not want to be looking anywhere else! Throughout the evening, the audience was introduced to many dancers, however they were all a highlight for me – whether it was dancing with swords or pretty flowing garments, or the usual bellydancer’s skirt that jingles, it was so easy to get carried away with the rhythm and spectacle of it all. Ronicka and Ayfer are wonderful to behold as a duo, as much as when they are solo performers. I much enjoyed Afyer’s dancing in tall heels, with her sassy dramatic hair flicks. Ronicka’s precision and strong poses were equally as captivating. Azra and her belly dance school were a delight. Azra’s solo performance was beautiful and exciting as she held all the eyes in the room. Dancers from her school were joyful, energetic and brought a whirling, whimsical feel to the evening. During their performance, we may as well have been in a courtyard in Morocco or in a far away place. All the dancers of the evening were spellbinding.

 My personal highlight of the evening was Ferdi Cobra’s Kiss. I have seen many shows including fire performances / fire dancing, however none to date have ever been like Ferdi Cobra’s Kiss! Tattooed and toned, Ferdi wound his way through the audience, steaming up even the coldest of audience members. Quick with a flame and his hips, Ferdi lavished attention on the(mostly female) members of the audience. They say “it’s all in the hips” and that hips don’t lie and well those sayings are all true in Ferdi’s case! Playful without over-stepping boundaries, Ferdi made the audience excited and we knew how to make him smile in return – my voice was husky I whooped and cheered so much. I can guarantee that the internal temperature of the room was much hotter when Ferdi was performing – even I started to sweat. If any show producers are reading this: please bring Ferdi Cobra’s Kiss back for an encore performance!!

 The fun of the night didn’t end post show, as The Royal High Jinx played some post show sets and the audience were invited to stay around to dance. This continued the fun atmosphere of the evening. A lovely way to end the show (versus having to hastily depart the venue). Some lucky audience members even got to dance with Ferdi (ladies, please form a line!) Do bring a nice outfit and your dancing shoes to this show.

VERDICT: If you’re ever looking for an escape on a budget – be enchanted and swept away in the beauty and movement of The Gipsy Club Cabaret! Highly recommended for a fun night out. Would not hesitate to return for a future night of entertainment.

*Disclaimer: I attended this performance as a guest of the producer

Further information:
Gipsy Club Cabaret Facebook Page

Where has Tay Around Town been?!

Hello readers! Yes, it has been over a month since my last post. I haven’t forgotten about you, there has just been a flurry of action in my daily life including (but not limited to):

  • Attending a friend’s wedding in late October – there was even magical entertainment at the wedding which was very exciting!
  • The usual Halloween celebrations – Halloween is my favourite holiday, so I like to celebrate it well (which naturally takes some effort)
  • A weekend in Adelaide for Supanova pop culture convention – more about that in a later blog post!
  • Currently looking for a house (the joys!)…which unsurprisingly takes up most of my weekends these days plus some extra admin time during the week. It’s a time consuming process…

I’m pleased to say that I have been out and about lately, so will have some new reviews for you all shortly – stay tuned!

Melbourne Fringe 2019 Review: “Game Boys Cinematic Universe”

Eden and Josh are the “Game Boys” and are your very friendly and enthusiastic hosts for their show “Game Boys Cinematic Universe”. The Game Boys do well to transform a small theatre within Trades Hall into a fun backstage ‘trolley ride’ via the Game Boys Studios Backlot Tour (reminiscent of the sorts of trolley rides at theme parks that I’m sure many tourists have done before) with some clever graphics and jokes included.

“Game Boys Cinematic Universe” is an action packed and very interactive show, and the Game Boys waste no time sharing knowledge of their favourite movies with their audience, mixed in with some fun games and activities. This show does feature some audience participation, but much of it was off stage and the Game Boys are ultra friendly and treat audience members very well. Personal highlights for me were the parody moments with prop comedy, some immersive play scenes and the clever movie parallels that were explored throughout the show. Another highlight was the Game Boys’ penchant for a certain big budget movie of the 90’s with iconic music which conjured some fantastic nostalgic moments for everyone in the audience. This show contained a lot of fun activities, with one of my favourites being a movie title game show – which made for some very clever and very entertaining moments!

“Game Boys Cinematic Universe” is a light hearted show that demonstrates a lot of depth by the time show ends, all of which is enhanced by Eden and Josh being genuine movie buffs and clearly holding much movie knowledge between them. The Game Boys take a clear delight in surprising their audience and for me, the surprises just kept coming throughout the entire show. I noticed that at the end of the show, much of audience was beaming and congratulating the Game Boys on such an enjoyable adventure (well deserved!) I’m sure even the most hardened movie critic would find this show irresistibly enjoyable.

VERDICT: Hold onto your hats, keep your arms and legs inside the vehicle at all times and strap yourselves in for a very fun evening of fun theme park lines, movie puns and heavy doses of movie nostalgia! Game Boys Cinematic Universe runs deeper than quick movie one liners to create some sweet moments of movie magic for audience members and movie fans alike. Currently screening for a very limited time – don’t miss out!!

*Disclaimer: I attended this performance as a guest of the Game Boys.

Tickets / info: https://melbournefringe.com.au/event/game-boys-cinematic-universe/

Melbourne Fringe 2019 Review: “The Long Boy”

 Jon O  – one third of the ‘Bombastic JOE’ trio – has diverged this season to star in his own show “The Long Boy”. Nestled within the intimate venue ‘Crowded in the Vaults’ if you’ve never met Jon O, it will become immediately apparent why he’s known as “The Long Boy”. Comically tall with appropriately long arms and legs, Jon O uses plenty of physical comedy teamed with amusing scenarios and props to keep the laughs rolling for his audience.

Jon O opened his show with a thoroughly hilarious silent sequence. Honestly a great sign if you can have the audience calling for more a mere couple of minutes into the show! Throughout “The Long Boy” much of the comedy came from smooth observations of real life scenarios mixed with some wacky scenarios plus some fabulous dance breaks. Ever energetic, I pity the people that get stuck next to Jon O on the dancefloor because I’m convinced he can out-dance anyone! Another strength of the show is Jon O’s characterisations – he’s the man of a thousand faces, with many different expressions (and oh how we all laughed). As expected, a portion of the humour was aimed at Jon O’s tall and lanky nature too. The show is more than the typical flimsy sketches, with some call backs and recurring themes which helped to hold the attention of the audience.

Jon O “The Long Boy” is not short on laughs. It’s easy to get carried away during Jon O’s comic cavalcade of characters. I can recall some moments where the audience got swept away with the storylines within the show.

VERDICT: Jon O is larger than life on the stage and “The Long Boy” is large on laughs too. Highly enjoyable show and Jon O gave the audience what they wanted – laughs and plenty of them. If I had to provide a star rating for this show, it would be 3.5 stars out of 5

*Disclaimer: I attended the show as a guest of the producer

Tay Around Town gets ready to review shows during the 2019 Melbourne Fringe Festival!

‘Festival season’ in Melbourne never seems to end, which is fantastic as it means there are always new shows to see and adventures to be had.

I’m excited to announce that over the coming weeks I’ll be reviewing a small assortment of shows that are part of the 2019 Melbourne Fringe Festival. Melbourne Fringe has always been one of my favourite festivals as I feel it covers so many facets of what can be considered as art and entertainment. Comedy shows and cabaret shows are certainly in the line-up for reviewing this year, so I hope you’ll stay tuned for some reviews coming up shortly.

Thanks for reading! Tay

PS: if you’re looking to find out more about the Melbourne Fringe Festival, head to their website: https://melbournefringe.com.au/

 

Review: “How I Met My Dead Husband” performed by Lansy Feng

  I was delighted to be invited by Wit Incorporated to visit the lovely Bluestone Church Arts Space in Footscray for their production of “How I Met My Dead Husband” performed by Lansy Feng.  Before you ask – yes, it is possible to attend a production billed as a ‘cabaret funeral’ and have a great time (even some laughs) while still respecting other cultures and death / funerals. “How I Met My Dead Husband”manages to do all that and more which is testament to all the talent and efforts that have combined to make the show so worthwhile.

LF1Photo Credit: Jack Dixon-Gunn

Lansy Feng plays Chuen-Jiau, who is the focal point of the story alongside her dearly departed husband Yueh (who is regularly referred to and described but never physically seen). Chuen-Jiau is on a journey to find Yueh (who is hidden in space and time) and ultimately to find love. The entire show is performed in front of a funeral alter and Yueh’s coffin, however this does not distract from the performance. Chuen-Jiau’s story is one that spans multiple lives (via reincarnation), cultures and languages which makes this show all the more compelling. Much of the emotion in this story is conveyed via short songs, and I thoroughly enjoyed Lansy Feng’s beautiful singing. When the song words weren’t in Engligh, they were in Mandarin or French, however there was always such emotion in the melody and Lansy’s eyes that we could always tell what Lansy was singing about. I could see the joy and sparkle in Lansy’s eyes every time she sang above love. At other times, Lansy’s eyes were wistful and misty as she sang about loss and the sacrifices of love. Lansy looks demure however she sings emphatically as Chuen-Jiau!

lf4Photo Credit: Jack Dixon-Gunn

Clever theatrical methods helped to build the story over time – after all, lots of timespans and reincarnations could become confusing. Luckily, “How I Met My Dead Husband” ensures that the audience follows Chuen-Jiau closely on her journey (and her search for love and Yueh). The entire story is weaved together via vignettes of song (no lengthy boring ballads here), modern dialogue and some fun props / scenarios. I liked the poignant reminders of life (and the life beyond) in addition to the greater message regarding self love and the different ways love can be expressed. These greater messages were uplifting and made the show heartwarming. My heart felt so full at the conclusion of the show.

Another heartwarming aspect of this production is Wit Incorporated itself. Regularly referring to the crowd as ‘friends’ I’ve never felt so welcomed by / at an independent theatre (and one that is unfunded – quite a feat in itself in a world where costs are rising all the time). There were lots of friendly faces everywhere I turned so I truly can’t recommend Wit Incorporated and “How I Met My Dead Husband” enough.

VERDICT: A love story that transcends time and lives, woven via song and witty dialogue. “How I Met My Dead Husband” is a beautiful story despite its dark title. Look beyond the title, bring your imagination and be swept away by Chuen-Jiau’s captivating story. Her messages within will stay with you.

*Disclaimer: I attended this production as a guest of Wit Incorporated